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Some colourful text Some colourful text Some colourful text Etiam at ipsum elit. Ut feugiat tristique diam eu venenatis. Cras tincidunt finibus odio sed dictum. Morbi id ligula aliquam, lacinia nunc a, convallis massa. Quisque venenatis risus diam, vitae lobortis ex interdum a. Etiam elementum urna ac lectus porttitor feugiat. Etiam commodo, ex a venenatis fringilla, eros metus rutrum elit, ut condimentum augue neque nec erat.

Pellentesque pulvinar eros eu metus auctor, sed malesuada orci finibus. Proin semper feugiat felis, sed blandit tellus scelerisque at. Pellentesque interdum sodales tellus. Cras in leo vel dui suscipit sagittis et eget est. Aenean mattis urna tellus, ac cursus erat eleifend sed. Proin ultrices vehicula ante. Curabitur vel interdum purus, sed rutrum metus. Duis venenatis dui sed urna condimentum facilisis. Nulla congue dui ut tincidunt semper.

There are three responses to a piece of design – yes, no, and WOW! - Milton Glaser

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Praesent diam leo, pellentesque vitae gravida quis, sagittis et felis. Praesent sed blandit lectus. Sed eu aliquam ante, vel imperdiet ex. Aenean finibus id arcu a dignissim. Morbi vestibulum, urna congue vehicula molestie, quam risus blandit nisi, eu scelerisque erat leo eu mauris. Sed a tortor tempus, suscipit risus a, semper enim. Duis malesuada dapibus placerat. Nam aliquam leo hendrerit, pharetra eros ut, pharetra enim. Donec rutrum lectus id venenatis vestibulum. Vestibulum consectetur, tellus sit amet consectetur ornare, arcu libero viverra nisl, et pulvinar ex est quis sem.

Cras pellentesque neque quis sapien porttitor viverra. Etiam et vestibulum ante. Nulla non arcu ultricies, sodales mi placerat, ultrices lectus. Nunc vestibulum non dui eget sodales. Proin sed mi eget nibh rutrum sodales sed fringilla dolor. Ut commodo mauris sed magna tristique, vel facilisis metus laoreet. Donec velit dolor, pretium vitae tincidunt ac, tempor ac neque. Nulla et porta tellus.

Ut id maximus nisi. Pellentesque tempus velit ut arcu elementum auctor. Nulla sodales sapien in cursus convallis. Phasellus tincidunt vitae turpis nec dictum. Morbi et tempus enim. Nullam blandit iaculis volutpat. Vestibulum ante ipsum primis in faucibus orci luctus et ultrices posuere cubilia Curae;

Sed placerat, est efficitur malesuada tempor, nunc nisl viverra nulla, quis facilisis elit metus vel nibh. Fusce pellentesque mi in velit efficitur tincidunt. Class aptent taciti sociosqu ad litora torquent per conubia nostra, per inceptos himenaeos. Duis nec turpis faucibus, cursus purus et, facilisis turpis. Fusce mi nunc, vulputate nec diam ac, gravida sollicitudin dui. Morbi facilisis tempus felis nec ullamcorper. Nulla tincidunt, ex sed rutrum tristique, dolor ex dictum neque, eu rutrum ipsum nisi id ligula. Suspendisse tellus tellus, vehicula eget ornare id, pulvinar eu est. Etiam vehicula, lectus sit amet mollis tincidunt, leo justo egestas massa, a pulvinar ipsum ligula ac risus. Aliquam erat volutpat. Curabitur et lacinia neque.

Nulla fringilla felis quis dolor pharetra, id congue elit tristique. Proin sapien urna, ultrices vel diam in, cursus ultrices sapien. Curabitur venenatis nec ligula eu sodales. Nullam eget magna condimentum quam facilisis sagittis. Suspendisse varius sit amet sem ac rhoncus. Mauris dapibus sollicitudin mollis. Fusce et urna ultricies, fermentum ex in, hendrerit nibh.

Testing display of HTML elements

This is 2nd level heading

This is a test paragraph.

This is 3rd level heading

This is a test paragraph.

This is 4th level heading

This is a test paragraph.

This is 5th level heading

This is a test paragraph.

This is 6th level heading

This is a test paragraph.

Basic block level elements

This is a normal paragraph (p element). To add some length to it, let us mention that this page was primarily written for testing the effect of user style sheets. You can use it for various other purposes as well, like just checking how your browser displays various HTML elements by default. It can also be useful when testing conversions from HTML format to other formats, since some elements can go wrong then.

This is another paragraph. I think it needs to be added that the set of elements tested is not exhaustive in any sense. I have selected those elements for which it can make sense to write user style sheet rules, in my opionion.

This is a div element. Authors may use such elements instead of paragraph markup for various reasons. (End of div.)

This is a block quotation containing a single paragraph. Well, not quite, since this is not really quoted text, but I hope you understand the point. After all, this page does not use HTML markup very normally anyway.

The following contains address information about the author, in an address element.

Jukka Korpela, jkorpela@cs.tut.fi
Päivänsäteenkuja 4 A, Espoo, Finland

Lists

This is a paragraph before an unnumbered list (ul). Note that the spacing between a paragraph and a list before or after that is hard to tune in a user style sheet. You can't guess which paragraphs are logically related to a list, e.g. as a "list header".

  • One.
  • Two.
  • Three. Well, probably this list item should be longer. Note that for short items lists look better if they are compactly presented, whereas for long items, it would be better to have more vertical spacing between items.
  • Four. This is the last item in this list. Let us terminate the list now without making any more fuss about it.

The following is a menu list:

  • One.
  • Two.
  • Three. Well, probably this list item should be longer so that it will probably wrap to the next line in rendering.

The following is a dir list:

  • One.
  • Two.
  • Three. Well, probably this list item should be longer so that it will probably wrap to the next line in rendering.

This is a paragraph before a numbered list (ol). Note that the spacing between a paragraph and a list before or after that is hard to tune in a user style sheet. You can't guess which paragraphs are logically related to a list, e.g. as a "list header".

  1. One.
  2. Two.
  3. Three. Well, probably this list item should be longer. Note that if items are short, lists look better if they are compactly presented, whereas for long items, it would be better to have more vertical spacing between items.
  4. Four. This is the last item in this list. Let us terminate the list now without making any more fuss about it.

This is a paragraph before a definition list (dl). In principle, such a list should consist of terms and associated definitions. But many authors use dl elements for fancy "layout" things. Usually the effect is not too bad, if you design user style sheet rules for dl which are suitable for real definition lists.

recursion
see recursion
recursion, indirect
see indirect recursion
indirect recursion
see recursion, indirect
term
a word or other expression taken into specific use in a well-defined meaning, which is often defined rather rigorously, even formally, and may differ quite a lot from an everyday meaning

Text-level markup

  • CSS (an abbreviation; abbr markup used)
  • radar (an acronym; acronym markup used)
  • bolded (b markup used - just bolding with unspecified semantics)
  • big thing (big markup used)
  • large size (font size=6 markup used)
  • Courier font (font face=Courier markup used)
  • red text (font color=red markup used)
  • Origin of Species (a book title; cite markup used)
  • a[i] = b[i] + c[i); (computer code; code markup used)
  • here we have some deleted text (del markup used)
  • an octet is an entity consisting of eight bits (dfn markup used for the term being defined)
  • this is very simple (em markup used for emphasizing a word)
  • Homo sapiens (should appear in italics; i markup used)
  • here we have some inserted text (ins markup used)
  • type yes when prompted for an answer (kbd markup used for text indicating keyboard input)
  • Hello! (q markup used for quotation)
  • He said: She said Hello! (a quotation inside a quotation)
  • you may get the message Core dumped at times (samp markup used for sample output)
  • this is not that important (small markup used)
  • overstruck (strike markup used; note: s is a nonstandard synonym for strike)
  • this is highlighted text (strong markup used)
  • In order to test how subscripts and superscripts (sub and sup markup) work inside running text, we need some dummy text around constructs like x1 and H2O (where subscripts occur). So here is some fill so that you will (hopefully) see whether and how badly the subscripts and superscripts mess up vertical spacing between lines. Now superscripts: Mlle, 1st, and then some mathematical notations: ex, sin2 x, and some nested superscripts (exponents) too: ex2 and f(x)g(x)a+b+c (where 2 and a+b+c should appear as exponents of exponents).
  • text in monospace font (tt markup used)
  • underlined text (u markup used)
  • the command cat filename displays the file specified by the filename (var markup used to indicate a word as a variable).

Some of the elements tested above are typically displayed in a monospace font, often using the same presentation for all of them. This tests whether that is the case on your browser:

  • This is sample text inside code markup
  • This is sample text inside kbd markup
  • This is sample text inside samp markup
  • This is sample text inside tt markup

Links

This is a text paragraph that contains some inline links. Generally, inline links (as opposite to e.g. links lists) are problematic from the usability perspective, but they may have use as “incidental”, less relevant links. See the document Links Want To Be Links.

Tables

The following table has a caption. The first row and the first column contain table header cells (th elements) only; other cells are data cells (td elements), with align="right" attributes:

Sample table: Areas of the Nordic countries, in sq km
Country Total area Land area
Denmark 43,070 42,370
Finland 337,030 305,470
Iceland 103,000 100,250
Norway 324,220 307,860
Sweden 449,964 410,928

Character test

The following table has some sample characters with annotations. If the browser’s default font does not contain all of them, they may get displayed using backup fonts. This may cause stylistic differences, but it should not prevent the characters from being displayed at all.

Char. Explanation Notes ê e with circumflex Latin 1 character, should be ok em dash Windows Latin 1 character, should be ok, too Ā A with macron (line above) Latin Extended-A character, not present in all fonts Ω capital omega A Greek letter minus sign Unicode minus diameter sign relatively rare in fonts

Hyphenation

In the following, a width setting should cause some hyphenation, depending on support to various methods of hyphenation.

CSS-based hyphenation

Until recently the great majority of naturalists believed that species were immutable productions, and had been separately created. This view has been ably maintained by many authors.

JavaScript-driven hyphenation

Until recently the great majority of naturalists believed that species were immutable productions, and had been separately created. This view has been ably maintained by many authors.

Explicit hyphenation hints (soft hyphens)

Un­til re­cent­ly the great ma­jor­i­ty of nat­u­ral­ists be­lieved that spe­cies were im­mu­ta­ble pro­duc­tions, and had been sep­a­rate­ly cre­at­ed. This view has been ably main­tain­ed by many au­thors.


Jukka Korpela
Date of creation: 2000-09-15. Last update: 2013-03-21.
 
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Muuto

Muuto has come to mean objects made sublime through new perspectives, enjoyed across the world, representing the best of Scandinavian design today.

It is a collective of over 30 Scandinavian furniture and homeware designers, adding to the Scandinavian design tradition with new and original perspectives. Muuto, from the Finnish word muutos, means new perspective.

For Bauhaus good design starts with the person. Muuto handpicks Scandinavia’s brightest design talent and gives the freedom to express their individuality in everyday objects. Some want to change the world, others find passion in colour and shape or draw deeply from personal experience. How do they see a chair, vase or lamp?

The Muuto product will stand out immediately, through bold colour, quirky and fresh design.

Muuto are perfect partners for the Bauhaus aspiration.

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Camerich

Around the world Camerich follows a democratic ideal offering high-end design at affordable prices. Adaptable and customisable, Camerich’s modular sofa systems allow you to create sofas to suit your ideal need. Camerich sets out to use the finest materials in each and every component in our modern designer furniture. Butter soft leathers or our impossibly plump feather down-filled cushions. Camerich down is selected from optimal down feather controlled to within 2-4cm in length, washed at a high temperature and bacteria treated. Sofa frames are of solid hard wood Birch whilst imported Grey ash adds a striking final touch to many Camerich lounge chairs and sofas on exposed armrests or elegantly tapered feet. With over 90 stunning fabrics inspired by the latest modern design trends, Camerich upholstery is rich in colour and in texture. From classic linens to plush patterned velvet we test materials extensively to ensure fine durable fabrics. Our supple premium leather is tanned in Texas to uniform Pantone colours. Aniline dyed to ensure that the natural texture of the hide is retained while P-grade leathers are thicker and firmer and are the perfect covering for our stylish modern coffee tables with a protective top-coat to improve stain and scratch resistance. Heavy duty cold-rolled stainless steel supports our furniture whilst legs are die-cast in zinc alloy to give a sleek, pristine finish. We offer both chrome and titanium finishes in our range. For extreme comfort most of our sofas wrap high density polyurethane foam cores in premium feather down for a resistant and strong supportive foundation to your sofa cushion, which will maintain its shape over time. All Camerich furniture from Bauhaus comes with a free 5 year* warranty as standard, and sofas come with a free 10 year* warranty.

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Kenneth Cobonpue

Kenneth Cobonpue - multi-awarded furniture designer from Cebu graduated in New York at Pratt wiith highest honors. He has worked in Italy and Germany. His brand is known around the world for its unique designs, his roster of clients including Brad Pitt and royalty. His awards include 5 Japan Good Design Awards, the grand prize at the Singapore International Design Competition, the Design for Asia Award of Hongkong, the American Society of Interior Design Top Pick selection and the French Coup de Coeur award. Several of his designs appear in London and New York’s International Design Yearbook . Phaidon’s book entitled "& FORK" underscores Kenneth's position as a leader of a new movement incorporating new technologies with craft. He has appeared on European television, countless international magazines and newspapers around the world. Various Cobonpue designs have also appeared on TV and movies in shows such as Oceans 13 and CSI. Kenneth reveals new work each year in design shows from Paris to New York. He also speaks regularly about Southeast Asian design all over the world. In 2007, he was recognized by TIME magazine.

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Karpenter

To us furniture is a form of visual art framed by practicality, timelessness and comfort. Design should be unique and inspirational, but also realistic, sustainable and affordable. Karpenter furniture is born from the dialogue between creative designers and technical craftspeople. Creative designers play with ideas, shapes and textures. Our craftspeople translate the ideas into craft techniques. This is the human process. Behind it lies the nature of the materials we work with, which ultimately gets the last word, always. This is why we say: Designed by us, defined by nature. Karpenter furniture represents a merge between the intelligence of ancient carpentry and the precision of modern technology. Solid wood-on-wood joinery that holds the secret to the durability of our products is perfectly fitted by Italian precision machinery. Behind the machines are experienced craftspeople, who assemble each piece by hand, and unite wood with leathers, fabrics and metals.

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Wendelbo

Many things have changed since 1955 when the Wendelbo furniture business was founded in Aarhus, Denmark. Upholsterer and founder Tage Petersen had a goal of producing custom-made sofas using the old-fashioned styles of craftsmanship and incorporating values such as quality, precision and pride. These values instilled by the founder remain core to the business today. Since 1989 the company has been run by second generation - Christina & Lars Wendelbo. Under their leadership, Wendelbo has become a well-known and preferable supplier of upholstered furniture to the Scandinavian market. The company is constantly innovative in terms of focus and design. The style has become more contemporary and the production has become more industrial - without forgetting the traditional values. In 2007 the company decided to move its production to Saigon, Vietnam. This move has proven to be a clever move and the beginning of a new era for the company. It has helped expand the company on an international level, with selected customers in more than 25 countries carrying the Wendelbo brand. Christian Wendelbo - third generation, currently manages the Vietnam factory and its 250 plus highly skilled workers. Responsible working conditions are heavily weighted and there is a strong focus on CSR. Production runs smoothly and efficiently under his management and all tasks are carried out in Christian Wendelbo’s grandfather’s spirit: Craftsmanship and quality in every single detail. These values are as important in Vietnam today as they were in Aarhus in 1955.

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Sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi.

  1. Line item 1
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Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi.

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